the new video for “sister” is here.

thanks to the efforts of the talented people listed below and the support of many, many more, you can watch it here: ‘sister’ by koralee

‘Sister’ – the song
Written and Performed by koralee
Produced by Morris ‘Mo’ Pleasure
Original Arrangement by Eliot Sloan
Recorded in October 2012 at Pleasure Island Studios & 800 East Studios, Atlanta, GA
Bass, Piano and Keyboards: Mo Pleasure
Drums and Percussion: Stacy ‘Quick’ Ellis
Guitar and Bowed Bass: Ben Holst
Engineered by Mo Pleasure
Additional Production and Mixing by Ben Holst
Additional tracks and loops by Eliot Sloan
Mastered by Larry Anthony, COS Mastering

‘Sister’ – the video
Executive Producer: koralee
Produced by: koralee and Year Eight Productions: Virginia Novello, Melissa Rentrop and Caity Engler
Associate Producer: Marta McGonagle
Concept: koralee
Director: Julia Ransom
Cinematographer: Nathan Haugaard
Assistant Director: Caity Engler
Gaffer: Justin Raths
Makeup Artist: Liana Mirzadeh
Hair Stylist: Hanna Yoseph
Production Assistant: Gisela Fernandez
Editor: Nick Robinson
Post-Production Supervisor: Melissa Rentrop
Post-Production Producer: Stephanie Plaitin

and, last but not least…many special thanks go out to my dear, dear friend (and producer!) stephanie plaitin, who was with me when it happened and is still with me now.

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two things that can always make me laugh…

no matter what is going down:

a) The Big Lebowski

and

b) this: https://vimeo.com/13897452

xo.

ps: parental advisory, yo.

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new bio.

An integral part of being an artist is taking risks. Being vulnerable. Going into the unknown. koralee has mastered these concepts. Her unconventional lifestyle (two pieces of red luggage, Star Alliance Gold Status, no fixed address) fits right in with her artistic reality – she relentlessly pursues creation.

It has always been her driving force. In an Orange County hotel in 2008, a Pulse Reader from India took koralee’s wrist and, while he listened to the beat of her heart he asked: What do you do? I’m a performer, she said. No, he snapped at her, you are not a performer. Performers iterate the words of others. You create your own. You are a concept creator.

A voracious autodidact, her past projects have found her in the role of performer, as well as songwriter, composer, writer and producer. She has written, produced and performed in plays, radio dramas, short films and television programs that have appeared across North America and the World. koralee has produced live music performances in Vancouver, her hometown of Winnipeg and in Los Angeles.

For the release of her upcoming single, koralee spearheaded a relationship with Atlanta-based Producer, Music Director and Multi-Instrumentalist Morris (‘Mo’) Pleasure (Ray Charles, Earth, Wind and Fire, Michael Jackson). The result is the 2013 version of ‘Sister’, which koralee originally recorded with Eliot Sloan (Blessid Union of Souls) in 2008 and released on her self-titled EP in 2010. Recorded in Atlanta, GA in October of 2012, ‘Sister’ will be released along with a video produced by koralee and LA-based Year Eight productions in April. Both the song and video artfully showcase the evocative quality of her vocals and strong presence, telling an incredibly personal story with graceful poignancy.

‘(My) immediate reaction was that I was hearing solo voice of a quality I hadn’t heard before.’
-Morris “Mo” Pleasure, Producer and Multi Instrumentalist

In addition to her solo project, koralee has entered a world of collaboration that is taking her into new genres, a testament to her vocal versatility. Working with Music Producer and Grammy Nominated Filmmaker David Brownstein has resulted in a yet-unnamed but ever-growing pop creation that began with her unpredictable cover of Iggy and The Stooges “Search and Destroy” and has morphed into a soon-to-be released EP of original songs that make the DJ’s want to remix and the young girls want to cry (Listen to the track here:
https://soundcloud.com/koralee/search-and-destroy-koralee). koralee is also featured vocalist in a cross-continental Electro House project lead by Los Angeles DJ and Producer Glenn Weikert (HIEROPHUNK, 7StarSun) and Dutch Producer Joris Vincken (DJ Sammy’s ‘Heaven’).

koralee will continue to work with Mo and other collaborators throughout 2013, releasing all songs through her website: www.koraleemusic.com.

‘koralee is not just an artist. She is an experience.’
– Eliot Sloan, Blessid Union of Souls

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yes, my dad was a teacher for forty years….

and i believe in the power of education. but i don’t believe in education as something to do simply because you don’t know what to do.

“Students who acquire large debts putting themselves through school are unlikely to think about changing society, Chomsky suggested. “When you trap people in a system of debt . they can’t afford the time to think.” Tuition fee increases are a “disciplinary technique,” and, by the time students graduate, they are not only loaded with debt, but have also internalized the “disciplinarian culture.” This makes them efficient components of the consumer economy.” – Noam Chomsky

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a poem. about me. not written by me.

i write songs about other people. some of them are my dear friends. recently, a dear friend wrote a poem about me. for those of you who know me well, i have no doubt you’ll say: yes, that’s pretty accurate. and for those of you who don’t, i’ll just tell you: yes. it’s pretty accurate.

(much love to martin schobel for the gift of his creatvity.)

wilco
by Martin Schobel

it echoes in space

belying its beauty
wearing efficiency
like armour

undulating freely

singing a siren
of pleasure
possible ecstasy

a sweet singularity

boundlessly determined
to outstrip it’s veil
in soulful surrender

it opens
like a supernova

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this song is a cover song.

two of my music nerd (and that’s a compliment) friends told me they didn’t recognize it – it bore no resemblance to the original. i think this is good. you can make up your own mind:

https://soundcloud.com/koralee/search-and-destroy-koralee

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All Watched Over By Machines of Loving Grace.

I like to think (and
the sooner the better!)
of a cybernetic meadow
where mammals and computers
live together in mutually
programming harmony
like pure water
touching clear sky.

I like to think
(right now, please!)
of a cybernetic forest
filled with pines and electronics
where deer stroll peacefully
past computers
as if they were flowers
with spinning blossoms.

I like to think
(it has to be!)
of a cybernetic ecology
where we are free of our labors
and joined back to nature,
returned to our mammal
brothers and sisters,
and all watched over
by machines of loving grace.

-Richard Brautigan.

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one of my favourite love songs.

(love this song. am somewhat disturbed by the video. dislike the edit in the pre-chorus, substantially – damn you, tipper gore.)

xo.

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i write stories. this is an old one.

It started Friday. But I’ll start with Saturday.

That morning, coming home after the yoga class I cried through, I wandered around my apartment, not knowing what to do. The same thought occupied my mind every time I left it unoccupied and I had already had two sleepless nights – the one where I tried to convince myself that it wasn’t going to happen, and the one where I had to remind myself it did.

I bounced off the walls a few times, took a shower, cleaned up my bedroom (again) and thought about eating, but I didn’t. I wasn’t hungry. I was too sad to eat. Because I got dumped.

“Oh my god!” they said. “You seemed so happy together!”. I thought we were. And then we weren’t. And so, after declarations of non-commitment, a week of lackluster texts and an avoided phone call, I lashed out with the anger fueled by my abandonment issues that had been triggered, bottled and then, blew. I had tried to convince myself that I could be okay with watching someone detach right before my eyes. I knew it was coming and I knew what I could have done to prevent it. But I didn’t want to fall further in with someone who was simply emotionally unavailable. Now, don’t start with me – I’ve read “He’s Just Not That Into You”. I wasn’t fooling myself – I knew he wasn’t into me anymore, but I’ll call it what I like. But at one point he was, then he wasn’t. That’s what hurt: seeing the switch flip and being able to do nothing but watch the shutdown in slow motion.

“You should write a song, it’ll be therapeutic!” Sure. I had plenty of material to go and write a song. But I have already written that song (I even made a video for it). And since there was nothing really new under this sun called “break-up”, I just didn’t want to write that song again.

I cried instead. And was amazed that people kept telling me I looked fabulous. So I told them I had just lost 185 pounds.

For the last eight years, it has been my habit to watch ‘The Big Lebowski’ when I’m sad. No matter how horrible I feel, I can put it in and it will get at a few small and at least one large laugh out of me. Eight hours into being newly single, I thought about it and signed into Netflix. And then I thought I’d save it till tomorrow, in case I felt worse than I already did. Somehow I fell asleep at 5 am. And woke up three hours later. And yes, I felt worse. So I went to yoga, knowing that I needed movement to get me out of my head.

But the wheel pose got me in yoga class. I bent my back, straightened my arms and reached my heart to the ceiling. And I felt my chest crack open and I remembered the day we spent time on Skype, doing wheel for each other to our own web cam, giving feedback on each other’s form and finishing the call smiling like goofy kids because we had seen more of each other that day, through sharing something we loved.

I’ve never been one to avoid looking something dead in the eye. So I got down to rest briefly and got back up and my heart caught in my chest and the tears started and I could not make them stop. I gave up and lay on my back, and the stupid tears pooled into my ears. The instructor came over and stroked my face and head. It helped the tears keep coming, and that helped. It really, really helped. And then I remembered that when he was tired, or didn’t feel well, I would stroke his hair. And suddenly there was a boulder on my chest. But it was time to go into the next pose, so I did while the tears dripped onto my mat and I pulled up my feet into bow.

Back at home, sitting on my bed after a shower to wash way not only the sweat but also the feeling of his hands on my body that I could not block from my brain, my friend Allison came in and demanded to know what I was doing for the rest of the day. I shrugged my shoulders, having no answer.
“You’re coming with me”, she said.
“Where?”
“Hollywood Forever Cemetery. We’re going to see ‘The Big Lebowski’ “.

I laughed in spite of myself, thinking that timing was perfect. Then I didn’t want to go. Then I cried. I won’t bore you with the back and forth but she did promise we could stop for slurpees, so I was sold. I put on the cutest outfit I could manage that would still be appropriate for a movie in a graveyard that would get cold as it got dark, and off we went. But first, we visited “The Dude”.

“The Dude”, or as I know him, Jeff, is a new friend of mine. Although I know him as my roommate’s ex-boyfriend, he’s actually a bit of a mythical figure – the inspiration for the “The Dude” played by Jeff Bridges in ‘The Big Lebowski’. Jeff and I get along. He says it’s because I’m from Manitoba.

After watching me plunk myself down on the couch on his porch he said:
“What’s the matter sweetheart?”
“I got dumped”, I said.
He cocked his head and said: “How old his he?”
“38″, I said.
“Oh, so he’s just another fucked up man. I’m sorry.”

I picked up his book on George Carlin and stared at it although I saw nothing while Allison and Jeff made plans to meet up at the cemetery. “You’re coming, right?” Jeff said. “Yep,” I said, “When I’m truly sad, I watch ‘The Big Lebowski. It always cheers me up. Must be the nihilists.”

Sitting in line, waiting to get a space in the cemetery, Allison and her friend Melissa drank white wine while I drained my slurpee. Of course we talked about men so I told Melissa what happened.

“He’s an asshole,” said Allison.
“He’s not an asshole,” I said “he’s just…. he just didn’t like me as much as I liked him.”

Melissa said: “I’m happy to hear that you have boundaries, and when he crossed them, you called him on It.” Boundaries? Sure. If that’s what you call feeling like crap and saying so because someone tells you multiple times that they’re not sure if they want to commit to you, then I’ve got ‘em. “I think that there are a lot of women who would put up with that sort of thing, hoping that the man would come around. I wouldn’t, either.” she said. And she gave me a high five. With that settled, we went to find our spot.

Firmly ensconced on our placed-just-enough-off-center-of-the-projector-to-see-perfectly blanket, thanks to Allison’s eagle eye, we awaited the departure of the light and the start of the show. When Jeff, “The Dude”, showed up, he plunked himself down on the blanket, displacing us just a bit. “Okay girls,” he said, “you’re coming up on stage with me.” Before we could protest, he explained that we would dance through the crowd with him, pull up people and spin them around, and then dance him up to the stage where he would give his speech. He did it every time he introduced the film, and it was our turn to support the cause. And off he went to prepare with a White Russian.

Allison and I looked at each other. We had agreed, but then I was skeptical of dancing through wall-to-wall people in the dark, visions of falling flat on my ass on top of a stranger dancing in my head. “Maybe we’ll just not go up,” I said. “Maybe he’ll forget he asked.” And the Allison’s phone went off. It was Jeff, telling us it was time to go.

I won’t go into detail of the 20 minutes of so before we got up on stage, but it was some kind of slapstick, including someone (Jeff) walking through a photo booth shoot in progress (the necking couple didn’t even notice and at 6 foot and then some with a grey ‘fro he’s pretty hard to miss) and request after request for me to take a picture of someone with “The Dude”. When some poor guy asked him why he was in the production area Jeff snapped “Don’t you know who I am?” I dragged Jeff away mouthing a silent “Sorry” to the now completely confused and shaken kid. Somehow we got him to the guy in charge. And when Jeff started to tell the guy in charge what he was planning to do, I could see the guy in charge wanting to tear his hair out at the thought of the insurance nightmare created by people being squashed by the tumbling bulk of “The Dude”.

Finally, Jeff was convinced that there would be no dancing through the crowd. “Girls, are you ready?” he said while crushing us into his chest. “When the music comes on, we dance!”

As ‘Just Dropped In (To See What Condition My Condition Is In)’ blared over the speakers, we danced out to the spotlight in front of the crowd. Jeff did the bump and grind with Allison, and then turned to me and spun me around so my skirt flared. As we three pranced, completely engrossed in our moves, the guy in charge starting making the ‘wrap it up’ gestures. We smiled and waved at the audience, Jeff kissed us on the cheeks and off we ran, laughing and laughing at what we had just done in our bare feet in the cemetery in front of hundreds of people. Then we watched him do his thing, talking about the movie, it’s cultural impact, the underlying political statement of the film, and it’s relation to the state of the world today. Which for those few minutes, took my focus off poor me, newly single, to think about how in the grand scheme of things, there was much worse around me than what I was going through. And that, in time, I would be okay. I looked out past the crowd of wall to wall people, out at the stars above the palm trees and knew that, despite how much it hurt, I would not regret for one single minute that I had loved a man who didn’t love me back in the way that I wanted, no matter how hard I wanted or wished it.

“This is a special film,” Jeff said. “And a friend of mine told me tonight that, when she’s depressed, she watches this film, and it makes her laugh. That gets me right in the heart.” And then he said, “And you should know her.”

Before I knew what was happening, I was standing beside him on the stage in front of a thousand or so people, while he explained that I was an amazing artist and musician and they should all go my website (which he then spelled out, with no prompting from me), and that they should all listen to my songs. And then he gave me a one-armed hug with his microphone-free hand and kissed my head. Off I ran, as he finished his speech, waving at the applauding audience, and so moved by his endorsement to so many of me, who was hurt so much by the rejection of just one.

As I always have done, watching ‘The Big Lebowski’, I did laugh. Once we found our way back to our blanket with the help of Allison’s iPhone, I laughed like I always do – at The Dude, Jesus, the Nihilists, and especially Walter. I never laugh at Danny. It sounds trite but, surrounded by my friends, it wasn’t so cold. And as we watched Julianne Moore as Maude work her legs into the positions that would insure conception, Jeff pointed at the screen and said: “See that? That’s what he’s afraid of. You’ll find a man who has no fear of that.”

I didn’t laugh for awhile. I was too busy hearing what he said.

It’s not as if I slept much that night, and it actually took me days to finally get seven hours. But I didn’t cry as hard because I had spent a day with people who loved me enough to get me out into the world and show me that it had in no way ended. Every person in that crowd had a heart that had been broken. And there they were, living their lives. And so was I.

So, I know it’ll get easier. Nature abhors a vacuum, you have to lose some to win some, empty space is always filled, on and on with the clichés. Love is everywhere. There is so much that I lost when the relationship ended but in the moments where sadness doesn’t overwhelm me, which will come less and less, I can remember there is always something that is to be gained. The space in my heart will be filled. But Saturday was special. Because on Saturday, a little over one day after my heart broke, Jeff and a crowd of a thousand people reminded me that if I gave up on trying to make one person love me, I could so clearly see all of the people who do.

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video shoot.

sometimes things don’t happen in my time. sometimes they don’t look like they should right away. sometimes things fall apart only to be put back together better than new. that was the story of my video for the mo pleasure produced version of my song ‘sister’. you’ll see it in january. until then, here’s a still from last night’s shoot.

with immense gratitude to the fine women at year eight productions: http://www.yeareightproductions.com/

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